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	<title>Classic Rock Review</title>
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	<description>Celebrating the Rock Music that Remains Relevant</description>
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		<title>Automatic For the People by R.E.M.</title>
		<link>http://www.classicrockreview.com/2012/05/1992-rem-automatic-people/</link>
		<comments>http://www.classicrockreview.com/2012/05/1992-rem-automatic-people/#comments</comments>
		<pubDate>Wed, 16 May 2012 18:55:27 +0000</pubDate>
		<dc:creator>Classic Rock Review</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[1992 Albums]]></category>
		<category><![CDATA[Album Reviews by Ric Albano]]></category>
		<category><![CDATA[American Artists]]></category>
		<category><![CDATA[R.E.M.]]></category>
		<category><![CDATA[Southern Artists]]></category>

		<guid isPermaLink="false">http://www.classicrockreview.com/?p=2001</guid>
		<description><![CDATA[Tweet Automatic For the People is the eighth album by R.E.M., released in 1992 following their breakthrough Out of Time. Since the band did not tour to support that album, they were able to start writing and rehearsing for the next album shortly after its release in June 1991. The three musicians -guitarist Peter Buck, bassist [...]]]></description>
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		<title>Little Earthquakes by Tori Amos</title>
		<link>http://www.classicrockreview.com/2012/05/1992-tori-amos-earthquakes/</link>
		<comments>http://www.classicrockreview.com/2012/05/1992-tori-amos-earthquakes/#comments</comments>
		<pubDate>Wed, 09 May 2012 09:23:16 +0000</pubDate>
		<dc:creator>Classic Rock Review</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[1992 Albums]]></category>
		<category><![CDATA[Album Reviews by Ric Albano]]></category>
		<category><![CDATA[American Artists]]></category>
		<category><![CDATA[Southern Artists]]></category>
		<category><![CDATA[Tori Amos]]></category>

		<guid isPermaLink="false">http://www.classicrockreview.com/?p=1959</guid>
		<description><![CDATA[Tweet Little Earthquakes is the debut solo album of singer/songwriter Tori Amos. It followed the dissolution of her 1980s synth-pop band called &#8220;Y Kant Tori Read&#8221;, with a batch of a dozen compositions which set the stage for her solo career as well as forge a template for the more introspective music that flourished among [...]]]></description>
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		<title>Core by Stone Temple Pilots</title>
		<link>http://www.classicrockreview.com/2012/05/1992-stp-core/</link>
		<comments>http://www.classicrockreview.com/2012/05/1992-stp-core/#comments</comments>
		<pubDate>Sat, 05 May 2012 12:35:10 +0000</pubDate>
		<dc:creator>Classic Rock Review</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[1992 Albums]]></category>
		<category><![CDATA[Album Reviews by Ric Albano]]></category>
		<category><![CDATA[American Artists]]></category>
		<category><![CDATA[California Artists]]></category>
		<category><![CDATA[Stone Temple Pilots]]></category>

		<guid isPermaLink="false">http://www.classicrockreview.com/?p=1942</guid>
		<description><![CDATA[Tweet Around 1990, a hard rock band from San Diego, CA called Mighty Joe Young recorded a demo featuring some unorthodox musical styles, such as funk and yodeling and soon began to attract a fan-base in Southern California. After the group was signed to Atlantic Records and began work on their first professional studio album, [...]]]></description>
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		<title>Diamonds In the Coal by The Badlees</title>
		<link>http://www.classicrockreview.com/2012/05/1992-badlees-diamonds/</link>
		<comments>http://www.classicrockreview.com/2012/05/1992-badlees-diamonds/#comments</comments>
		<pubDate>Tue, 01 May 2012 16:48:37 +0000</pubDate>
		<dc:creator>Classic Rock Review</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[1992 Albums]]></category>
		<category><![CDATA[Album Reviews by Ric Albano]]></category>
		<category><![CDATA[American Artists]]></category>
		<category><![CDATA[Pennsylvania Artists]]></category>
		<category><![CDATA[The Badlees]]></category>

		<guid isPermaLink="false">http://www.classicrockreview.com/?p=1905</guid>
		<description><![CDATA[Tweet At a time when many in the rock world were in the process of re-imaging from the slick 80’s hair band to the grungy 90s alternative, a young Pennsylvania band called The Badlees was forging their own path with a sound called “roots rock” with their first full length album, Diamonds In the Coal. The band, [...]]]></description>
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		<title>Business As Usual by Men At Work</title>
		<link>http://www.classicrockreview.com/2012/04/1982-men-at-work-business/</link>
		<comments>http://www.classicrockreview.com/2012/04/1982-men-at-work-business/#comments</comments>
		<pubDate>Fri, 27 Apr 2012 16:00:34 +0000</pubDate>
		<dc:creator>Classic Rock Review</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[1982 Albums]]></category>
		<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[Album Reviews by Ric Albano]]></category>
		<category><![CDATA[Australian Artists]]></category>
		<category><![CDATA[Men At Work]]></category>

		<guid isPermaLink="false">http://www.classicrockreview.com/?p=1216</guid>
		<description><![CDATA[Tweet One would not be out of line to suggest that this is a rather &#8220;unusual&#8221; (pun intended) selection for our 1982 album of the year. In fact, Business As Usual was originally released in November 1981 in Australia, the home country of the five piece rock band Men At Work. The lead single from [...]]]></description>
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		<title>Asia</title>
		<link>http://www.classicrockreview.com/2012/04/1982-asia/</link>
		<comments>http://www.classicrockreview.com/2012/04/1982-asia/#comments</comments>
		<pubDate>Sun, 22 Apr 2012 20:07:40 +0000</pubDate>
		<dc:creator>Classic Rock Review</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[1982 Albums]]></category>
		<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[Album Reviews by Ric Albano]]></category>
		<category><![CDATA[Asia]]></category>
		<category><![CDATA[British Artists]]></category>

		<guid isPermaLink="false">http://www.classicrockreview.com/?p=1493</guid>
		<description><![CDATA[Tweet Asia was a short-lived &#8220;supergroup&#8221; which existed primarily in the early 1980s. Their debut eponymous album was wildly successful commercially, reaching #1 in the US on the Billboard album charts and the top selling album in the States for the year 1982. However, the band also tended to be a letdown to progressive rock [...]]]></description>
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		<title>American Fool by John Cougar</title>
		<link>http://www.classicrockreview.com/2012/04/1982-john-cougar-american-fool/</link>
		<comments>http://www.classicrockreview.com/2012/04/1982-john-cougar-american-fool/#comments</comments>
		<pubDate>Thu, 19 Apr 2012 10:42:00 +0000</pubDate>
		<dc:creator>Classic Rock Review</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[1982 Albums]]></category>
		<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[Album Reviews by Ric Albano]]></category>
		<category><![CDATA[American Artists]]></category>
		<category><![CDATA[John Mellencamp]]></category>
		<category><![CDATA[Midwest Artists]]></category>

		<guid isPermaLink="false">http://www.classicrockreview.com/?p=1785</guid>
		<description><![CDATA[Tweet American Fool may mark the midway point of the artist’s evolution from the stage name “Johnny Cougar” back to his given name John Mellencamp. The differing names (of which there are four distinct) mirrored the change in musical style and image from the slick, glam-like pop star of the 1970s to the earthy, folk [...]]]></description>
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		<item>
		<title>Nebraska by Bruce Springsteen</title>
		<link>http://www.classicrockreview.com/2012/04/1982-bruce-springsteen-nebraska/</link>
		<comments>http://www.classicrockreview.com/2012/04/1982-bruce-springsteen-nebraska/#comments</comments>
		<pubDate>Sun, 15 Apr 2012 15:02:15 +0000</pubDate>
		<dc:creator>Karyn</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[1982 Albums]]></category>
		<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[Album Reviews by Karyn Albano]]></category>
		<category><![CDATA[American Artists]]></category>
		<category><![CDATA[Bruce Springsteen]]></category>
		<category><![CDATA[New Jersey Artists]]></category>

		<guid isPermaLink="false">http://www.classicrockreview.com/?p=1490</guid>
		<description><![CDATA[Tweet Bruce Springsteen&#8216;s 1982 solo album Nebraska was an original &#8220;demo&#8221; that found unexpected life as a major label recording by a major label artist. The tracks for this sparsely-recorded album were recorded on a cassette 4-track recorder in Springsteen&#8217;s home as demos intended to be recorded with the E Street Band. The band did start recording [...]]]></description>
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		<title>Billy Idol</title>
		<link>http://www.classicrockreview.com/2012/04/1982-billy-idol/</link>
		<comments>http://www.classicrockreview.com/2012/04/1982-billy-idol/#comments</comments>
		<pubDate>Wed, 11 Apr 2012 10:00:54 +0000</pubDate>
		<dc:creator>Classic Rock Review</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[1982 Albums]]></category>
		<category><![CDATA[2012 Reviews]]></category>
		<category><![CDATA[Album Reviews by Ric Albano]]></category>
		<category><![CDATA[Billy Idol]]></category>
		<category><![CDATA[British Artists]]></category>

		<guid isPermaLink="false">http://www.classicrockreview.com/?p=1487</guid>
		<description><![CDATA[Tweet The debut album by Billy Idol is amazingly diverse and mainstream-leaning for an artist supposedly fresh off the punk scene. In fact, Idol today admits that his late seventies outfit, Generation X, differed starkly from other acts on the scene like The Clash or The Sex Pistols; &#8220;They were singing &#8216;No Elvis, Beatles or [...]]]></description>
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		<title>The Movie Soundtrack</title>
		<link>http://www.classicrockreview.com/2012/04/the-movie-soundtrack/</link>
		<comments>http://www.classicrockreview.com/2012/04/the-movie-soundtrack/#comments</comments>
		<pubDate>Mon, 09 Apr 2012 18:45:50 +0000</pubDate>
		<dc:creator>Classic Rock Review</dc:creator>
				<category><![CDATA[Special Features]]></category>
		<category><![CDATA[Blue Oyster Cult]]></category>
		<category><![CDATA[Cameron Crowe]]></category>
		<category><![CDATA[Don Henley]]></category>
		<category><![CDATA[Fast Times at Ridgemont High]]></category>
		<category><![CDATA[Jackson Browne]]></category>
		<category><![CDATA[Joe Walsh]]></category>
		<category><![CDATA[Journey]]></category>
		<category><![CDATA[Kenny Loggins]]></category>
		<category><![CDATA[Led Zeppelin]]></category>
		<category><![CDATA[Music History]]></category>
		<category><![CDATA[Music Industry]]></category>
		<category><![CDATA[Music Media]]></category>
		<category><![CDATA[Rock Influences and Legends]]></category>
		<category><![CDATA[Sammy Hagar]]></category>
		<category><![CDATA[Steppenwolf]]></category>
		<category><![CDATA[Stevie Nicks]]></category>
		<category><![CDATA[The Beatles]]></category>
		<category><![CDATA[The Byrds]]></category>

		<guid isPermaLink="false">http://www.classicrockreview.com/?p=1690</guid>
		<description><![CDATA[Tweet The movie soundtrack has become a great source for discovering music. Many dramatic scenes are fully augmented by appropriate audio, which in turn drives sales of the songs themselves. It is a nice cross-marketing scheme, but as far as top quality works of new original music by various artists. there are surprisingly few of [...]]]></description>
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