In their prime, The Offspring‘s music found the sweet spot somewhere between hard rock and hardcore. Their 1997 fourth overall release and major label debut, Ixnay on the Hombre, features a diverse collection of songs which range from thrashing punk to moody and philosophical rock to the occasional bit of light comical fare. The resulting album found both critical acclaim and worldwide commercial success, as it sold over three million copies across the globe.
After the massive commercial success of their previous album, Smash in 1994, the band was the biggest act on the small Epitaph label. They eventually decided to leave the label and signed a recording contract with Columbia Records, but not before they bought out the rights to their 1989 debut album and re-released it.
The Offspring entered the studio in mid 1996 with producer Dave Jerden and recorded close to twenty songs from the sessions. This was eventually pared back to a dozen album tracks along with a couple of spoken word novelty tracks.
Ixnay On the Hombre by The Offspring
|Released: February 4, 1997 (Columbia)
Produced by: Dave Jerden
Recorded: Eldorado Recording Studios, Hollywood, California
|Track Listing||Group Musicians|
The Meaning of Life
Me and My Old Lady
Cool to Hate
Leave It Behind
All I Want
Way Down the Line
Don’t Pick It Up
Change the World
|Dexter Holland – Lead Vocals, Guitars
Kevin Wasserman – Guitars, Vocals
Greg Kriesel – Bass, Vocals
Ron Welty – Drums, Vocals
The album begins with one of the spoken word tracks, “Disclaimer”, a sarcastic dissertation on warning labels recited by Jello Biafra. The music starts with “The Meaning of Life”, a rapid punk/pop track which sets the pace for much of the material on the album. After a unique percussive intro by Ron Welty, “Mota” breaks out with a hard-edged ska feel throughout with definite punk overtones and good, edgy rudiments.
Most of the material on the album was written by lead vocalist Dexter Holland, who belts his signature story-telling lyrical rants and unique wails later on the track “Me and My Old Lady”, which also features a really cool groove and is the best song of the early part of album. Unfortunately, this is followed by two of the more forgettable tracks, “Cool to Hate”, which tries to be high-school anthemic, and “Leave It Behind” a standard and forgettable song.
The heart of Ixnay On the Hombre starts with “Gone Away”, an interesting, grunge-inspired track with differing vibes and textures. Greg Kriesel‘s bass fueled verses tradeoff with the piercing guitar riff interludes of Kevin Wasserman on this top Mainstream Rock Track. “I Choose” was another hit from the album built on the fantastic funky riffing and rhythms with Kriesal and Welty’s bass and drums complementing the charged electric riffs by Wasserman, who later provides a traditional hard rock guitar lead.
“Intermission” provides a true point of levity to usher in the latter part of the album, which includes the fastest punk track “All I Want”, the eclectic track “Way Down the Line”, and “Don’t Pick It Up”, an entertaining mixture of ska and surf rock. “Amazed” is another quality track, almost as good as the earlier hits, while the closer “Change the World” comes just a little short of greatness due to the tense punk beat which detracts from the otherwise fine melody and bass line.
Ixnay on the Hombre reached the Top Ten of the US album charts and The Offspring toured relentlessly throughout the world to promote the record.
Part of Classic Rock Review’s celebration of the 20th anniversary of 1997 albums.