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The year 1975 may be the last truly classic rock year in the sense that a plethora of rock sub-genres were on the way to fragment the rock world in subsequent years.
* 1975 Album of the Year
+ Double Album Review
Below are further descriptions of each album, in the order that we reviewed. |
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September 3, 2015 |
Although it was initially panned by critics, Blood On the Tracks has long been considered Bob Dylan‘s finest effort of the 1970s. This confessional album was spawned during a turbulent time in Dylan’s life and the honest approach has held up spectacularly over the past four decades.
Review of Blood On the Tracks |
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September 7, 2015 |
Recorded shortly after the successful release of their debut album, Bad Company branched out to include richer compositions on 1975’s Straight Shooter. This classic album was nearly as successful and equally indelible through the decades.
Review of Straight Shooter |
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September 12, 2015 |
Pink Floyd‘s 1975 concept album, Wish You Were Here, was loosely based on the plight of former group leader Syd Barrett. Musically, the album is a tor-de-force for guitarist David Gilmour as well as a showcase for keyboardist Richard Wright.
Review of Wish You Were Here |
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September 17, 2015 |
Bruce Springsteen‘s third album, Born To Run, was set up as an all-or-nothing attempt to break into the commercial mainstream. The huge budget and subsequent production provided much to achieve this, but it was Springsteen’s compositions which have sustained this as a classic decades later.
Review of Born To Run |
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September 20, 2015 |
Nazareth reached the pinnacle of their long career with the success of their sixth studio album, Hair of the Dog. The album at once contained both their strong and straight-forward hard rock as well as indulged some of the group’s tendencies to experiment with other styles and sub-genres.
Review of Hair of the Dog |
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September 24, 2015 |
After nearly a decade of recording and touring through several lineup changes, Fleetwood Mac finally found their perfect lineup and winning formula starting in 1975. Their self-titled tenth album spawned several hit songs and topped the album charts, setting the group up for even great success to follow.
Review of Fleetwood Mac |
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September 27, 2015 |
Supertramp released an underrated musical gem in 1975, which features solid material from end to end. Often overshadowed by the more popular albums the group released before and after, Crisis? What Crisis? has held up well over the four decades since its release.
Review of Crisis? What Crisis? |
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October 1, 2015 |
Queen pushed all of the established boundaries of hard rock on their 1975 classic A Night at the Opera. The album uses multi-layered instrumentation and vocals while exploring many divergent genres to achieve a totally unique status among classic rock albums.
Review of A Night at the Opera |
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October 4, 2015 |
In 1975 Aerosmith broke away from their critics’ perception of the group as an American clone of the Rolling Stones by unambiguously defining their sound on Toys in the Attic. This diverse compositional and sonic masterpiece would become their most popular album and has remained so for the four decades since its release.
Review of Toys in the Attic |
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October 9, 2015 |
The Grateful Dead came back from their first extended break by recorded the musically fascinating Blues for Allah, The album features strong contributions and performances by each of the group’s then seven members and captures the band as a whole at their most relaxed and inspired during the era.
Review of Blues for Allah |
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October 12, 2015 |
The Eagles reached a musical crossroads with their fourth studio album, One of These Nights. This chart-topping album which spawned three Top 5 singles was at once the first for new guitarist Don Felder and the last for founding member Bernie Leadon.
Review of One of These Nights |
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October 15, 2015 |
Rush came into their own in 1975 with the release of two classics, Fly By Night Night and Caress of Steel. While these albums were met with differing commercial and critical response, they both worked to forge the group’s musical path in future years.
Album Reviews of Fly By Night and Caress of Steel |
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October 19, 2015 |
After several years of building an audience through relentless touring and recording, Foghat found their commercial success in 1975 with Fool For the City, which still stands as the most popular and highest regarded album in the group’s catalog.
Album Review of Fool For the City |
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October 22, 2015 |
Joni Mitchell completed her musical transition from folk and commercial pop to jazz with the Avant Garde The Hissing of Summer Lawns. The album explores many musical styles and lyrical themes which makes this a very unique and interesting album.
Album Review of The Hissing of Summer Lawns |
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October 25, 2015 |
The Who By Numbers is a potpourri of new and re-purposed material by The Who. Coming after years of complex rock operas, this strikes a simpler balance of artistic vision and ambition.
Album Review of The Who By Numbers |
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October 29, 2015 |
Physical Graffiti combined a range of genre-stretching tunes from the early seventies with some tremendous new material which saw Led Zeppelin expand on their blues/rock mastery as well as stretch into new areas of funk and new wave. The result is the richest, most musically diverse, longest and overall best album by the 1970s best rock band and our Album of the Year for 1975.
Album Review of Physical Graffiti |
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March 7, 2020 |
David Bowie moved strongly towards R&B and Soul on 1975’s Young Americans. Surrounding himself with first-rate session players, Bowie delivered an album that approximated the mid-seventies sound of Philadelphia.
Album Review of Young Americans |
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June 16, 2020 |
Tonight’s the Night was written and recorded by Neil Young in 1973, shortly after the two deaths of friends from heroin overdoses. This raw, unpolished, authentic musical expression of grief was also a rejection of Young’s recent stardom and he had to fight for two years to get his label to finally release it in 1975.
Album Review of Tonight’s the Night |
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August 4, 2020 |
Ritchie Blackmore’s Rainbow was not originally intended to be the debut of a new group, but Blackmore enjoyed the experience of making this record so much that he departed from the staple group Deep Purple and made Rainbow his full time project for years to come.
Album Review of Ritchie Blackmore’s Rainbow |
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September 16, 2020 |
After after nearly a decade with the Amboy Dukes, Ted Nugent decided to strike out with a new dynamic hard rock band, image and sound. His 1975 self-tiled solo debut reflects an unapologetic approach to rock n’ roll and nicely captures the untamed fury of the moment.
Album Review of Ted Nugent |
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December 18, 2020 |
Patti Smith‘s debut album, Horses, seemed to anticipate the coming punk and new wave phases a few years in advance. Here, her anarchic vocals recite emotional and poetic lyrics are placed above simple, intensifying music for a potent and original effect.
Album Review of Horses |
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