1976 Classic Rock Reviews |
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| With the golden age of classic rock winding down and the advent of new styles such as punk and new wave, 1976 was a transitional year with much diversity in styles and forms. While the English rock bands that dominated the early seventies such as Led Zeppelin, Pink Floyd, Jethro Tull, and The Who were still around and going strong, a crop of new North American bands such as Aerosmith, Boston, Kiss, and Rush were fast establishing themselves at the forefront of rock.
We featured albums from the year 1976 during November and December 2011. During that 35th anniversary celebration of this music, we originally reviewed 16 albums:
Aerosmith – Rocks Blue Oyster Cult – Agents of Fortune Boston – Boston * David Bowie – Station to Station Jackson Browne – The Pretender The Eagles – Hotel California Electric Light Orchestra – A New World Record Genesis – A Trick of the Tale & Wind and Wuthering + Heart – Dreamboat Annie Billy Joel – Turnstiles Kansas – Leftoverture Kiss – Destroyer Led Zeppelin – Presence Steve Miller Band – Fly Like An Eagle Joni Mitchell – Hejira Rainbow – Rising Rush – 2112 Bob Seger – Night Moves Thin Lizzy – Jailbreak Stevie Wonder – Songs in the Key of Life * 1976 Album of the Year Below are further descriptions of each album, in the order that we reviewed. |
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| November 2, 2011 | |||||||||||||||
 The fourth of four great albums by Aerosmith to launch their career, Rocks is a most aptly named effort with a pure, raw rock band. The album was a commercial success which would become a great influence on the prolific hard rock and heavy metal sound through the upcoming decade and a half.
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| November 9, 2011 | |||||||||||||||
 Genesis had a short and largely forgotten era between the departure of Peter Gabriel and their evolution into a hit-making pop band. The band put out two albums in 1976 with sounds that almost straddle both the past and future of this ever evolving band.
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| November 14, 2011 | |||||||||||||||
 With pressure from their record company to deliver a more commercially appealing rock album, Rush decided to double down and make the album that THEY wanted to make as a band. The result was both a commercial and artistic breakthrough with 2112.
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| November 20, 2011 | |||||||||||||||
 Turnstiles was, in a lot of ways, a “growing up” album for Billy Joel as he returned to New York from his exile in California, formed a more permanent band, and took over as producer. The songs are all deeply reflective and somewhat nostalgic, yet very diverse and entertaining, making this album his most cohesive ever.
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| November 24, 2011 | |||||||||||||||
 When vocalist Robert Plant was confined to a wheelchair following a serious car accident, Led Zeppelin decided to write and record a new “unplanned” album, resulting in Presence. Although it was the group’s least successful album commercially, it was one one of their most important internally and it still sounds great four decades later.
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| November 30, 2011 | |||||||||||||||
 The Electric Light Orchestra reached the pinnacle of their creative and commercial success with A New World Record in 1976. The album fused their classical music elements with solid and accessible pop rock to make a very memorable and enjoyable album.
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| December 4, 2011 | |||||||||||||||
 After a decade and a half of cutting his teeth with various groups and solo projects, Bob Seger finally made his commercial breakthrough after forming the Silver Bullet Band. Night Moves was the first of a string of blockbuster albums.
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| December 9, 2011 | |||||||||||||||
 Finding one’s way through darkness and heartbreak in life is the universal theme that gives The Pretender its staying power. This fourth album by Jackson Browne was written and produced in the wake of a personal tragedy of the highest degree.
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| December 12, 2011 | |||||||||||||||
 Dirty Deeds Done Dirt Cheap hits a unique groove like no other work in the rock n roll era. Still, the AC/DC album was curiously not released in the U.S. until nearly five years after its production in 1976, and a year after the death of lead singer Bon Scott.
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| December 14, 2011 | |||||||||||||||
 The songs on Hejira were written by Joni Mitchell on a solo drive from Maine to her home in Los Angeles. The underlying theme of the album is set in the music itself, which capture the constant motion of the road and scenary. It is the languid occupation of the driver’s seat while all the “action” takes place within the mind.
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| December 17, 2011 | |||||||||||||||
 As I listened extensively to Leftoverture while preparing for this review, I came to appreciate just how talented the band Kansas was. But to read other popular critical reviews, you’d think they were inflated beyond their musical ability. Why?
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| December 19, 2011 | |||||||||||||||
 The incredibly long and ambitious Songs In the Key of Life became the tour-de-force of Stevie Wonder‘s prolific career. The songs are richly arranged and deel with a variety of subjects and the musical performances are considered some of the best of his career.
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| December 22, 2011 | |||||||||||||||
 At the time Dreamboat Annie was released in the mid 1970s, there were very few women who performed and recorded the assertive rock that Heart had developed. Lead by singer Ann Wilson and her younger sister, guitarist and songwriter Nancy Wilson, the band developed something unapologetically strong and original.
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| December 23, 2011 | |||||||||||||||
 On the brink of mainstream success, Kiss set out to create a serious studio album by enlisting Alice Cooper’s producer Bob Ezrin for the band’s fourth album. The result was Destroyer, an album with richer production and instrumentation than the previous efforts, which were exlusively the base, party-rock sound.
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| December 26, 2011 | |||||||||||||||
 Hotel California was a quasi-concept album by The Eagles, with the songs each loosely touching on the theme of paradise lost or squandered. This fifth album by the band was transitional in several ways and would go on to be their signature piece.
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| December 29, 2011 | |||||||||||||||
 Originally, Boston was not so much a band as a solo project by engineer and multi-instrumentalist Tom Scholz along with vocalist Brad Delp. Over the course of seven years, Sholz made the demos at home which would ultimately be forged into one of the most impressive debut albums in rock history. |
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| March 26, 2016 | |||||||||||||||
 Thin Lizzy released their exceptional, breakthrough album in 1976 with Jailbreak. This record saw the full maturation of the group’s trademark twin-guitar attack, fueled by tight and excellent compositions.
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| May 25, 2016 | |||||||||||||||
 The best selling record by the band, Agents of Fortune is a solid record for Blue Oyster Cult, as it slightly pivots from the band’s earliest sound and towards a more modern sound driven by restless inspiration.
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| June 12, 2016 | |||||||||||||||
 The commercially successful Fly Like An Eagle saw the full realization of the definitive space blues sound by the Steve Miller Band. With strong compositions and innovative, atmospheric production, Miller and the band forged a distinctive sound for the late seventies.
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| December 4, 2016 | |||||||||||||||
 The second release by Rainbow is considered by many to be their best overall album. Rising features a powerful new lineup, uniformly strong material and outstanding musical and vocal performances throughout.
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| December 23, 2016 | |||||||||||||||
 On Station to Station, David Bowie evolved his pop soul sound in a transitional album that begins his migration towards synth art-pop. The result is an impressive and exquisite sound which goes down as a high mark in a very substantive career.
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| Final 1976 Poll Results | |||||||||||||||
Q: What is the best album of 1976?
Conducted on our site, November-December, 2011 |
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| Other 1976 Albums of Note | |||||||||||||||
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1976 included many fine releases that we were unfortunately unable to review. These included Boz Scagg‘s Lowdown, the concept album Too old to Rock and Roll, Too Young to Die by Jethro Tull, Crystal Ball by Styx, Al Stewart‘s Year of the Cat and many more fine studio albums. 1976 was also a great year for live albums, as we profiled in our recent Special Feature on the Live Album. Please check out some of these fine works and support Classic Rock Review by clicking through and purchasing any album you please.                 |
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