In 1967, Pink Floyd released their debut album, The Piper at the Gates of Dawn, a fantastic work led by the talented songwriting of lead singer & guitarist Syd Barrett. That album launched the band into instant form of super-stardom at a very young age. However, soon after that album was released, Barrett went mad, became erractic, was fired from the band, and was replaced by his best friend and understudy David Gilmour. Over the next several years, the group experimented with differing sounds and textures, forging many great moments but nothing as cohesive and groundbreaking as their debut album.
In 1973, the band would put out their absolute classic The Dark Side of the Moon, analbum solidified the band as an essential group in classic rock and may be one of the greatest albums of all time. But The Dark Side of the Moon resembles in absolutely no way Pipet At the Gates of Dawn. There was a serious evolution that took place in the band during those six years. In that time in between, Pink Floyd but out an array of six or seven experimental, avant garde albums and movie soundtracks that slowly forged their sound towards that on The Dark Side of the Moon.
Perhaps more than any other album during that time period, 1971’s Meddle finds the happy medium that threads these two successful yet divergent eras of Pink Floyd. It contains enough experimental music to make it interesting to the art lover, just enough melodic songs to be liked by the pop music lover, and a few brilliant moments of theatrical rock n roll to make it collectible to those who love The Dark Side of the Moon.
Meddle byPink Floyd
|Released: October 30, 1971 (Island/Reprise)Produced by: Pink Floyd
Recorded: Abbey Road & Morgan Studios, London, January-August, 1971
|Side One||Side Two|
|One of These Days
A Pillow of Winds
|David Gilmour – Guitars, Harmonica, Vocals
Roger Waters – Bass, Vocals
Richard Wright – Keyboards, Vocals
Nick Mason – Drums, Vocals
The first side of the album contains five standard-length tracks while the second contains the single, side long “Echoes”. This song forcasts much of what Pink Floyd would put out throughout the decade of the 1970s, save the shorter material on The Wall. The song begins with an experimental sound similar to a submarine “ping”, created by keyboardist Richard Wright, who fed a single note through a Leslie speaker. The song slowly works towards the standard verses and choruses before sliding into a very long “middle section” of blues jams and experimental passages then finally returning for a the last verse/chorus sequence. All in all it is a 23-minute piece.
The first side starts with the instrumental “One Of These Days”, which would become a concert staple for decades to come. It is driven by a constant buzzing bass, backwards-masked effects, and a howling guitar lead. The song explodes into a wind storm that leads into “A Pillow of Winds”, a soft acoustic love song much in the vein of those put out on albums like Ummagumma and Atom Heart Mother. This second song could not be in more contrast to the first.
“Fearless” may be the best overall song on the album and talks about meeting challenges in the face of adversity. Musically it is highlighted by Gilmour’s calm yet strong guitar strumming and the odd beat from drummer Dave Mason. The odd ending to the song uses field recordings from an English soccer game, with fans singing “You’ll Never Walk Alone” by Gerry & the Pacemakers in a heavily reverberated, eerie fade-out. “San Tropez” is a jazz-inflected pop song with a shuffle tempo, composed and sang by Roger Waters. It adds yet another diverse dimension to the album with its easy-going crooner-like melody and atmosphere. Side one concludes with the throwaway “Seamus”, a pseudo-blues novelty song meant to be a humorous filler with an annoying, howling dog throughout. The song is often ranked as the worst song ever by dedicated Pink Floyd fans.
Meddle received generally positive critical reviews and was a moderately well seller on both sides of the Atlantic, Going platinum in bothe the US and the UK and reach #3 on the English charts. The band would put out a fine soundtrack album, Obscured By Clouds in 1972 before reach the heights with Dark Side in 1973.
Part of Classic Rock Review’s celebration of 1971 albums.
Way better than DSOTM. Echoes is the best thing they ever did.
Seamus is “throwaway?” After listening to this album on and off for almost 40 years, I have come to believe Seamus is best thing on the album.
Of course, Echos and One of the Days are also world class, but still!
Seamus is far from a throwaway. Quite a few of the latecomers to British blues deserved the parody.
Pillow of Winds and St. Tropez are two of kind. Gentle interludes.
Echoes shares more with the longer tracks on Wish You Were Here, but only in the sense that it’s a standalone, which none of the longer tracks on Dark Side are.
It was quite the experience hearing it on an NYC station while driving west on the NY turnpike at night through very heavy fog.
[…] contains some loose references in the backing transitions to “One of These Days” from Meddle. “Surfacing” follows as a variation on “Eyes To Pearls” with stronger rock […]
[…] Gilmour-Waters composition, “A Pillow of Winds.” I had to laugh at the comment in the Classic Rock Review on this piece: “This second song could not be in more contrast to the first.” The only […]