Top 9 Rock Festivals of All Time

This week Classic Rock Review joins the celebration of the 45th Anniversary of the historic 1969 Woodstock Music Festival. In conjunction with Top 9 Lists, we present a list of the Top 9 Rock Festivals of all time, along with a bonus list of Top 9 Single Day, Single Location Concerts.

Woodstock from behind the stage

1. Woodstock

August 15-18, 1969
Bethel, New York

This remains the mother of all music festivals, held at a 600-acre dairy farm owned by Max Yasgur. A series of coincidental events unfolded which effected the location and operation of this festival, which grew to become a “free” event for over 400,000 attendees. Regarded as a pivotal moment in popular music history, 32 acts performed during the rainy weekend, starting with Richie Havens, and concluding with a memorable performance by Jimi Hendrix as the crowd dispersed mid-morning on Monday, August 18th. Woodstock was immortalized in a later documentary movie as well as a song by Joni Mitchell, who was one of many major acts that did not attend by later regretted it.

Woodstock Performers: Richie Havens, Sweetwater, Bert Sommer, Tim Hardin, Ravi Shankar, Melanie, Arlo Guthrie, Joan Baez, Quill, Country Joe McDonald, Santana, John Sebastian, Keef Hartley Band, The Incredible String Band, Canned Heat, Mountain, Grateful Dead, Creedence Clearwater Revival, Janis Joplin with The Kozmic Blues Band, Sly and the Family Stone, The Who, Jefferson Airplane, Joe Cocker and The Grease Band, Ten Years After, The Band, Johnny Winter, Blood, Sweat & Tears, Crosby, Stills, & Nash, Paul Butterfield Blues Band, Sha Na Na, Jimi Hendrix and Gypsy Sun Rainbows

Buy Woodstock soundtrack
Buy Woodstock: Three Days of Peace & Music DVD

2. Monterey Pop Festival

June 16-18, 1967
Monterey, California

Jimi Hendrix at MontereyCredited as the event which sparked the “The Summer of Love”, The three-day Monterey International Pop Music Festival had a rather modest attendance but was soon recognized for its importance to the performers and significance to the sixties pop scene. The lineup consisted of a blend of rock and pop acts with memorable performances by The Who and Jimi Hendrix Experience.

Monterey Pop Performers: Jefferson Airplane, The Who, The Jimi Hendrix Experience, Janis Joplin, Otis Redding, Booker T. & the MG’s, Ravi Shankar, The Mamas and the Papas

Buy Monterey Pop Festival Live album

3. Live Aid

July 13, 1985
London and Philadelphia

Live Aid, PhiladelphiaStill the largest benefit concert 30 years on, Live Aid was a also the first live multi-venue event, with over 70,000 at London’s Wembley Stadium and close to 100,000 at JFK Stadium in Philadelphia. Organized by musician Bob Geldof of the Boomtown Rats as relief for the Ethiopian famine, the concert evolved from Band Aid, a multi-artist group who recorded “Do They Know It’s Christmas?” in 1984. Live Aid was also one of the largest worldwide television broadcasts, with an estimated audience of 1.9 billion in about 150 nations. Memorable performances and moments included those by Queen, U2, Dire Straits, a reunited Black Sabbath, and a loose reunion by members Led Zeppelin, the first since their breakup in 1980.

Live Aid Performers: Status Quo, The Style Council, The Boomtown Rats, Adam Ant, Spandau Ballet, Elvis Costello, Nik Kershaw, Sade, Sting, Phil Collins, Branford Marsalis, Howard Jones, Bryan Ferry, David Gilmour, Paul Young, U2, Dire Straits, Queen, David Bowie, Thomas Dolby, The Who, Elton John, Paul McCartney, Band Aid, Joan Baez, The Hooters, Four Tops, Billy Ocean, Black Sabbath, Run–D.M.C., Rick Springfield, REO Speedwagon, Crosby, Stills and Nash, Judas Priest, Bryan Adams, The Beach Boys, George Thorogood and the Destroyers, Simple Minds, The Pretenders, Santana, Ashford & Simpson, Madonna, Tom Petty and the Heartbreakers, Kenny Loggins, The Cars, Neil Young, The Power Station, Thompson Twins, Eric Clapton, Led Zeppelin (announced as “Jimmy Page, Robert Plant, John Paul Jones, Tony Thompson, Paul Martinez, Phil Collins”), Duran Duran, Patti LaBelle, Hall & Oates, Mick Jagger, Eddie Kendricks, David Ruffin, Tina Turner, Bob Dylan, Keith Richards, Ronnie Wood, USA for Africa

Buy Live Aid DVD

4. Isle of Wight Festival

August 26-30, 1970
Isle of Wight, UK

Isle Of Wight Festival, 1970In sheer numbers, the 1970 Isle of Wight Festival may be the largest ever, with estimates of over 600,000, which is an increase of about 50% over Woodstock. Promoted by local brothers Ronnie, Ray and Bill Foulk, the 5-day event caused such logistical problems (all attendees had to be ferried to the small island) that Parliament passed the “Isle of Wight Act” in 1971, preventing gatherings of more than 5,000 people on the island without a special license. Memorable performances included late career appearances by Jimi Hendrix and The Doors, and The Who, who released their entire set on the 1996 album Live at the Isle of Wight Festival 1970.

Isle of Wight 1970 Performers: Judas Jump, Kathy Smith, Rosalie Sorrels, David Bromberg, Redbone, Kris Kristofferson, Mighty Baby, Gary Farr, Supertramp, Howl, Black Widow, The Groundhogs, Terry Reid, Gilberto Gil and Caetano Veloso, Fairfield Parlour, Arrival, Lighthouse, Taste, Rory Gallagher, Chicago, Procol Harum, Voices of East Harlem, Cactus, John Sebastian, Shawn Phillips, Joni Mitchell, Tiny Tim, Miles Davis, Ten Years After, Emerson, Lake & Palmer, The Doors, The Who, Sly & the Family Stone, Melanie, Good News, Ralph McTell, Heaven, Free, Donovan, Pentangle, The Moody Blues, Jethro Tull, Jimi Hendrix, Joan Baez, Leonard Cohen, Richie Havens

Buy Message to Love, The Isle of Wight Festival DVD

5. Ozark Music Festival

July 19-21, 1974
Sedalia, Missouri

Ozark Music Festival stage“No Hassles Guaranteed” was the motto of the Ozark Music Festival, held at the Missouri State Fairgrounds in 1974. While this festival offered an impressive lineup of artists as well as a crowd upwards of 350,000 people, the Missouri Senate later described the festival as a disaster, due to the behaviors and destructive tendencies of the crowd.

Ozark Music Festival Performers: Bachman–Turner Overdrive, Aerosmith, Premiata Forneria Marconi, Blue Öyster Cult, The Eagles, America, Marshall Tucker Band, The Nitty Gritty Dirt Band, Boz Scaggs, Ted Nugent, David Bromberg, Leo Kottke, Cactus, The Earl Scruggs Revue, Lynyrd Skynyrd, Electric Flag, Bob Seger & the Silver Bullet Band, Joe Walsh and Barnstorm, The Souther Hillman Furay Band, The Ozark Mountain Daredevils, Charlie Daniels Band, REO Speedwagon, Spirit

6. US Festival

May 28-30, 1983
Devore, California

Steve Wozniak’s US Festivals were staged on two occasions in September 1982 and May 1983. The second of these was packed with a lineup of top-notch eighties acts who performed in an enormous state-of-the-art temporary amphitheatre at Glen Helen Regional Park.

1983 US Festival Performers: Divinyls, INXS, Wall of Voodoo, Oingo Boingo, The English Beat, A Flock of Seagulls, Stray Cats, Men at Work, The Clash, Quiet Riot, Mötley Crüe, Ozzy Osbourne, Judas Priest, Triumph, Scorpions, Van Halen, Los Lobos, Little Steven & the Disciples of Soul, Berlin, Quarterflash, U2, Missing Persons, The Pretenders, Joe Walsh, Stevie Nicks, David Bowie

7. The Crossroads Guitar Festival

June 4-6, 2004
Dallas, Texas

Crossroads Festival 2004 adStarting in 2004, the Crossroads Guitar Festivals have been held every three years to benefit the Crossroads Centre for drug treatment in Antigua, founded by Eric Clapton. These concerts showcase a variety of guitarists, with the first lineup at the Cotton Bowl stadium in 2004 featuring some legends along with up-and-comers hand-picked by Clapton himself.

2004 Crossroads Guitar Festival Performers: Eric Clapton, Johnny A, Vishwa Mohan Bhatt, Ron Block, Booker T. & the M.G.’s, Doyle Bramhall II, JJ Cale, Larry Carlton, Robert Cray, Sheryl Crow, Bo Diddley, Jerry Douglas, David Honeyboy Edwards, Vince Gill, Buddy Guy, David Hidalgo, Zakir Hussain, Eric Johnson, B.B. King, Sonny Landreth, Jonny Lang, Robert Lockwood, Jr., John Mayer, John McLaughlin, Robert Randolph, Duke Robillard, Carlos Santana, Hubert Sumlin, James Taylor, Dan Tyminski, Steve Vai, Jimmie Vaughan, Joe Walsh, ZZ Top, David Johansen

Buy Eric Clapton: Crossroads Guitar Festival 2004 DVD

8. Live 8

July 2, 2005
Locations world wide

Pink Floyd at Live 8Held 20 years after he organized Live Aid, Bob Geldof’s Live 8 was even more ambitious, being held in nine different locations around the world on the same day. Timed to coincide with the G8 conference in Scotland that year, the goal was to raise money to fight poverty in Africa. The most memorable moment from the concerts was at Hyde Park in London where the classic lineup of Pink Floyd reunited for the first time in over two decades.

Live 8 Performers: U2, Paul McCartney, Annie Lennox, Mariah Carey, R.E.M. The Killers, The Who, UB40, Pink Floyd, Elton John, Bob Geldof, Velvet Revolver, Madonna, Coldplay, Robbie Williams, Will Smith, Alicia Keys, The Black Eyed Peas, Kanye West, Linkin Park, Jay-Z, Rob Thomas, Sarah McLachlan, Stevie Wonder, Maroon 5, Deep Purple, Neil Young, Buck Cherry, Bryan Adams, Mötley Crüe, Brian Wilson, Green Day, a-Ha, Roxy Music, Dido, Peter Gabriel, Snow Patrol, The Corrs, Zola, Lucky Dube, Jungo, Pet Shop Boys, Muse, The Cure

Buy Live 8 DVD

9. Woodstock ’94

August 12-14, 1994
Saugerties, New York

Organized to commemorate the 25th anniversary of the original Woodstock festival, Woodstock ’94 was promoted as “3 More Days of Peace and Music”. in fact, this concert took place near the originally intended location of that first show and other similarities such as common performers, similar crowd size, rain, and mud.

Woodstock ’94 Performers: Blues Traveler, Candlebox, Collective Soul, Jackyl, King’s X, Live, Orleans, Sheryl Crow, Violent Femmes, Joe Cocker, Blind Melon, Cypress Hill, Rollins Band, Melissa Etheridge, Crosby, Stills, & Nash, John Sebastian, Nine Inch Nails, Metallica, Aerosmith, Country Joe McDonald, Sisters of Glory, Arrested Development, Allman Brothers Band, Traffic, Santana, Green Day, Paul Rodgers Rock and Blues Revue, Spin Doctors, Porno For Pyros, Bob Dylan, Red Hot Chili Peppers, Peter Gabriel

Read more on Woodstock ’94 from our recent Comebacks and Reunions special feature


Bonus Top 9 List: Best Single Day, Single Location Shows

The Who at Concert for New York City

1. The Concert for New York City October 20, 2001. New York, NY
2. The Band’s Last Waltz November 25, 1976. San Francisco, CA
3. Atlantic Records 40th Anniversary Celebration May 14, 1988. New York, NY
4. Concert for Bangladesh August 1, 1971. New York, NY
5. Knebworh Festival June 30, 1990. Knebworth, UK
6. Texxas Jam July 1, 1978. Dallas, TX
7. Farm Aid September 22, 1985. Champaign, IL
8. Canada Jam August 26, 1990. Bowmanville, Ontario
9. Altamont Free Concert December 6, 1969. Tracy, CA

~

Ric Albano

Tuesday Night Music Club by Sheryl Crow

Classic Rock Review 1993 Album of the Year

Tuesday Night Music Club by Sheryl CrowSheryl Crow‘s official debut was at once brilliant and controversial. In fact, the title Tuesday Night Music Club comes from the assembled studio group who composed and recorded the album together with Crow at the forefront and guitarist Bill Bottrell as producer. However, only Crow was signed to the big record deal and she soon inflamed the situation by not stating accurate songwriting facts in post-fame interviews, a practice that was publicly denounced by Bottrell and other group members. Still, it is hard to dispute that the music is original, entertaining, and interesting and this is the criteria we use when selecting our Classic Rock Review Album of the Year.

Crow was a former music teacher from Missouri, who started gigging with bands on the weekends. She also began recording jingles at a local studio and her voice was featured in many national commercials in the late 1980s. She later toured with Michael Jackson as a backup vocalist during his world tour 1987-1989 and got several session gigs as a backup singer with several established artists such as Stevie Wonder, Belinda Carlisle and Don Henley. Crow was signed to A&M and attempted a debut album in 1992, but convinced the label not to release the album because she was dissatisfied with the result.

While Crow was dating Multi-instrumentalist Kevin Gilbert, she began jamming with his ad hoc group of composers known as the “Tuesday Music Club” at Ricketts’ studio. This rapidly developed into a vehicle for Crow’s next attempt at a debut album. After the release and success of the album, Crow’s relationship with Gilbert and the rest of the group became acrimonious due to disputes about songwriting credits, of which Crow was given a disproportionate share of royalties. Kevin Gilbert was killed in 1996, which pretty much cemented the rift between Crow and the rest of the Tuesday Night Music Club.


Tuesday Night Music Club by Sheryl Crow
Released: August 3, 1993 (A&M)
Produced by: Bill Bottrell
Recorded: Los Angeles, 1992-1993
Track Listing Primary Musicians
Run Baby Run
Leaving Las Vegas
Strong Enough
Can’t Cry Anymore
Solidify
The Na-Na Song
No One Said It Would Be Easy
What I can Do For You
All I Wanna Do
We Do What We Can
I Shall Believe
Sheryl Crow – Lead Vocals, Guitar, Piano
Dave Baerwald – Guitars
Bill Bottrell – Guitars
Kevin Gilbert – Keyboards, Guitars
Dan Schwartz – Bass
Brian MacLeod – DrumsTuesday Night Music Club by Sheryl Crow

The album begins with the soulful and steady “Run, Baby, Run”, a unique opener opener of revival blues that never picks up the pace and never really made much waves when it was released as the lead singer. Still, it sets up the following “Leaving Las Vegas” finely. Co-written by guitarist David Baerwald who borrowed the title from a book written by his friend John O’Brien, “Leaving Las Vegas” is the first track to contain the unique percussive effect, featured throughout the album. With a slow riff throughout played in different instrumental variations and topped by strummed acoustic and dynamic vocals, the song became a minor hit but indelible landmark on this album. However, this song also had its share of controversy as Crow stated that the song was “autobiographical” during an appearance on the David Letterman Show, which infuriated Baerwald and the rest of the group, especially when O’Brien committed suicide soon after.

Two other songs early in the album went on to have chart success. “Strong Enough” is a very melodic and moody acoustic folk song with a potpourri of great ethnic instrumentation including organ, mandolin, and accordion. The song charted at No. 5 on the Billboard charts. “Can’t Cry Anymore” is built on the choppy strumming by Bottrell and strong chorus and bridge hooks by Crow. This Top 40 tune also has some well placed, subtle lead guitar riffs throughout.

The biggest hit on the album and the song which brought Tuesday Night Music Club widespread attention is “All I Wanna Do”. The lyrics are based on the poem “Fun” by Wyn Cooper from his 1987 book The Country of Here Below. Musically, the song is dominated Gilbert’s bouncy bass and the pedal steel by Bottrell which gives the song a sonic vibe somewhere between “Stuck In the Middle With You” and “The Rain Song” (both from 1973). The song reached number two on the charts and was the winner of the 1995 Grammy Record of the Year.

“Solidify” is an attempt at funk/disco, not all that terrible, but definitely a tangent song. “No One Said It Would Be Easy” borrows from the sound Neil Young put for the on Harvest Moon (the Classic Rock Review album of the year from the previous year, 1992), with a very calm and deliberate, almost too slow approach and dreamy lead guitar. and the emotional charge Crows invests in a song about trying to salvage a troubled relationship. Baerwald’s “What I Can Do For You” is a decent slow rocker containing a thumping rhythm by bassist Dan Schwartz and high-register vocals by Crow during the choruses.

The album does contain a few weak spots, with the nadir being the rap filler “The Na-Na Song”. “We Do What We Can” is a nightclub cabaret blues with cheap electronic drums keeping a simple, slow rock beat. The album does end strong with “I Shall Believe”, which uses its title cleverly to work into an unusual perspective. It continues the “Strong Enough” theme of “don’t give up on me” and contains a restrained and laid back lead by Bottrell.

Tuesday Night Music Club went on to sell more than 7 million copies worldwide and won three Grammy awards in 1995. Although it launched a highly successful career for Sheryl Crow, she never again quite found the band chemistry as with the ad hoc group who met in Bottrell’s studio on Tuesday nights.

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Part of Classic Rock Review’s celebration of the 20th anniversary of 1993 albums.

1993 Images